More than one hundred works, from private and public collections, are brought together to (re)discover one of the first post-modern movements based on the questioning of abstraction and the return to the figure. Curated by Patrick Mauriès, the exhibition put the spotlight on artists who have participated to this movement, such as Frenchman Christian Bérard (1902-1949), Russians Pavel Tchelitchew (1898-1957), Eugene (1899-1972) and Leonid Berman (1898-1976) and Dutchman Kristians Tonny (1907-1977).
First gathered in Paris in the 1920s, those took part in the American, British and Italian artistic scenes, creating links between Picasso, surrealism, figurative artists from the 20th century and living arts for which they designed memorable shows.
Invited by the Musée Marmottan Monet to establish an artistic dialogue with its collections, the Swiss painter Marc-Antoine Fehr has taken two paintings by Claude Monet as his starting point: Le Pont de l’Europe, Gare Saint Lazare (1877) and Champs d’Iris jaunes à Giverny (1887).
Marc-Antoine Fehr focuses on the narrative potential of these paintings, made possible by the instantaneity of Monet’s vision as he captured these transient scenes, which he painted from life. Playing with this effect, he presents a set of 240 gouaches on three walls of the exhibition space, each measuring 7.5 x 101 cm, with Monet’s two paintings superimposed on them. Begun in 1999 and appropriately titled Le Pays sans fin (Country Without End), this work, which is carried out anew in each venue, is intended to be continued with no scheduled end.
The artist takes visitors on a journey starting at the Gare Saint Lazare, destination unknown. The landscape rushes by, seen through the train window. Like a traveller who only captures a continuous fragment of what he sees, the visitor is unable to take in the entire artwork in one go. Le Pays sans fin invites us to journey physically and visually through the colours of the painting, catching fleeting glimpses of outlines, deserted buildings and silent natural environments.
The magnificent townhouse with its perfectly preserved Empire-style decor was once owned by Paul Marmottan and is now home to the Musée Marmottan Monet. In addition to its collection of pre-modern paintings, sculptures and illuminations, it boasts the world’s leading collections of works by Claude Monet and Berthe Morisot. This outstanding Impressionist treasure is further enriched by works from Delacroix, Boudin, Manet, Degas, Caillebotte, Sisley, Pissarro, Gauguin and Rodin, with Chagall representing the modernist period.
The Museum houses the world’s biggest collection of works by Monet. Alongside the iconic Impression, Sunrise, some hundred masterpieces bequeathed by the painter’s family and close friends offer an unmatched panorama of the art of the leading Impressionist, from landscapes in Argenteuil to Rouen Cathedral and on to a unique ensemble of Water Lilies and views of the garden in Giverny. Come and let Monet’s secret garden work its charm!
Dashingly executed in pastel tones, bucolic scenes, rural landscapes and portraits of “young girls in flower” illustrate the talent of Berthe Morisot, the first woman Impressionist. This ensemble bequeathed by her descendants constitutes the biggest public collection of this artist’s work, unmatched anywhere in the world. It comprises more than 25 oil paintings as well as rare watercolours and pastels. A remarkable collection and a real must for visitors.
Experience a unique event by organising unforgettable dinners, cocktails or breakfasts in the Salle Claude Monet or Salons Marmottan, where your guests can savour our permanent collections and temporary exhibitions in an exclusive setting.
